Introducing "A Few Ways BACK"

A Few Ways Back

Shannon Kennedy

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New Releases

Talking in Your Sleep

Shannon Kennedy

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My favorite music era is probably the 80's -- you'll definitely hear a lot of that influence in my writing! But I also love to do my own take of some of my favorite songs from that period.

This is "Talking in Your Sleep" from The Romantics slowed down... way down. It features Kurt Hamernick on drums and Chris Halon on keys.

Available on Spotify:

My favorite music era is probably the 80's -- you'll definitely hear a lot of that influence in my writing! But I also love to do my own take of some of my favorite songs from that period.

This is "Talking in Your Sleep" from The Romantics slowed down... way down. It features Kurt Hamernick on drums and Chris Halon on keys.

Available on Spotify: https://open.spotify.com/album/0kJBqpTrHU1pZi9FHOhhg9?si=4Da-bRUyQui89yRoY9js-Q Amazon: https://amzn.to/3784bpI Apple Music: https://music.apple.com/us/album/talking-in-your-sleep-single/1616740734

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Running Up That Hill

Shannon Kennedy

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A slowed down rendition of Kate Bush's "Running Up That Hill", recently re-popularized by the Netflix tv series Stranger Things.

Drums by Kurt Hamernick, background vocals and guitars by Aly Coyle. Mixed and mastered by Gordon Rustvold at Broken Prop Studio.

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Urgent

Shannon Kennedy

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One of the most iconic sax solos is from the song "Urgent" by foreigner. And while the obvious choice would be to head in that direction, I decided the best way to pay tribute to the song would be to do something different. The original sax solo is already great - why try to top it or just play it the same way?

So, I decided to put together this

One of the most iconic sax solos is from the song "Urgent" by foreigner. And while the obvious choice would be to head in that direction, I decided the best way to pay tribute to the song would be to do something different. The original sax solo is already great - why try to top it or just play it the same way?

So, I decided to put together this moody, sultry arrangement of the song... and there's no sax on it. Instead, Chris Halon contributes a jazzy solo on keys and Kurt Hamernick steps in on drums. The song was mixed and mastered by Gordon Rustvold at Broken Prop Studios.

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Saxophonist Shannon Kennedy